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Episodes
Choose a single episode:
UART vs PastelMat
Drafting Film
Drawing Free-Hand for Beginners
An Artist at Christmas
Benefits of Teaching
Pastel Dust & Skin Tones
Repeating Classes
Drawing a Teddy Bear
Contrast Lessons
Tricky Trees
Art with Emotion
Return to Shadow Work
Colin Bradley School of Art
Self Criticism and Inner Confidence
Transferrable Skills
Best Practices for Reference Photos
Benefits of Shadow Pictures
Watercolour vs Coloured Pencil vs Pastel Pencils
Coloured Pencil Techniques
Over Blending
Coloured Pencil Landscapes
Solvent As You Go
Discovering New Techniques
Simplifying Coloured Pencils
Animal Backgrounds
Using Coloured Pencils
Trying Something New
Layering Colours
Contrasting Backgrounds
Early Morning or Late Night
Pulling Focus
Photographic Bias
Controlling the Contrast
Increasing Your Range Of Pencils
When to Leave a Picture
Pictures in Shadow
Developing a Looser Style
Drawing Doris Day
Drawing Errol Flynn
Recreating "The Scream"
Working with Tracedown
Changing Focus and Attention
The Business of Art Q&A
Art is More Important than Ever
Technical Art Q&A
Art Career Q&A
Sharpening Pastel Pencils
Summer at Butlins
Visiting Castle Combe
Teaching Workshops
Drawing Racing Cars
Sucking Up
Winging It
The Bradley Gallery
Challenging Yourself
Enhancing Watercolour
A Post War Christmas
The Instinctive Artist
Drawing Fabric
Post Pastel Sticks
Finding Your Own Style
Experimental Techniques
Pastel Stick Challenges
Impressionism Training
Breaking Down Watercolour
Overcoming Fears and Doubts
Future Pastel Stick Projects
Too Photographic
Having No Ego
Past Experience
Overcoming Fear of Failure
Renoir's "The Apple Seller"
Becoming an Art Tutor
Tips for Beginners
Girl with a Pearl Earring in Pastel
Turn your pictures upside down
Is using a Grid or Tracing Cheating?
Curtain, Jug and Fruit - Cézanne
Is Impressionism Easy? - 202
Materials & Lighting - 201
Too Much Pastel - 200
A Bar at the Folies-Bergère in Pastel Pencils
Running an Art Workshop - 198
Stress Free - 197
Constructing a Reggianini – The Letter - 196
Secrets Behind Impressionism - 195
Unveiling Demonstrations - 194
When do you call yourself an artist? - 193
Harmony - 192
Working with PastelMat - 191
Artistic Process - 190
Warm and Cool Tones - 189
Filling Paper with Pastel - 188
Interpreting what you see - 187
Polychromos & Soft Pastel - 186
Dark to Light or Light to Dark - 185
PastelMat & Velour Paper - 184
Painting Commercially - 183
Staying Young - 182
Addiction - 181
Pancaking Colour - 180
Mixing Mediums - 179
Updates & New Series - 178
Business of Art - 177
A2 Size Drawing - 176
Checking Your Reference - 175
Being 100% Happy - 174
Graphite, Blending & Watercolour Basics - 173
Portrait Skin Tones - 172
Challenging Yourself - 171
Pricing Your Work - 170
Art Projectors & Tracing - 169
Magic of Impressionism - 168
Paper Tones - 167
Complementary Colours - 166
Craftsy Q&A - 165
All About Backgrounds - 164
What Makes a Good Landscape - 163
A Painting Makes You Feel - 162
Realism to Impressionism - 161
Entering Exhibitions - 160
Visiting Craftsy - 159
Fixing and Framing - 158
Paper and Commissions - 157
Trees and Greenery - 156
Base Colour - 155
Trial and Error - 154
Gaining Confidence - 153
We're Back! #152
Christmas Special #151
Masterclass - 150
Colin and the Frog - 149
Sorry Derwent - 148
Laying Dog - 147
Ready Made Frames - 146
Using Multiple References - 145
Making Prints - 144
Ocean Wildlife - 143
Getting Coverage - 142
What You'll Learn At Art College - 141
Boats at Rest - 140
Making a Picture Your Own - 139
Paintbrushes - 138
Teaching an Art Class - 137
Watercolour Pencils & Pen and Ink - 136
Free Hand Drawing - 135
Create an Illusion - 134
Wildlife Backgrounds - 133
Animal Fur - 132
Portrait Base Colours - 131
Drawing Pets & Relatives - 130
Aquarelle Graphite Pencils - 129
Drawing Cartoons - 128
Using Highlights for Impressionism - 127
Commission Work - 126
Escaping Reality - 125
Mixing Pastel & Watercolour Pencils - 124
Criticism - 123
Watercolour Pencils - 122
Protecting Your Work - 121
Zipping Whiskers - 120
Colours in Reference Photos - 119
Animal Hair vs Human Hair - 118
Live Broadcast 5th March - 117
Colouring Pencils vs Pastel Pencils - 116
Infinite Patience - 115
Vintage Scenes - 114
Soft Pastels vs Pastel Pencils - 113
Simple Backgrounds - 112
Art Therapy - 111
Drawing Male Portraits - 110
Rules of Landscapes - 109
Key to Drawing Eyes - 108
Colour Charcoal Pencils - 107
Tracing with Carbons - 106
Giving a Demonstration - 105
Colour Harmony - 104
Animal Composition - 103
Sepia & Grey Tones - 102
Colour Picking - 101
Impressionistic Strokes - 100
Bright White - 99
Drawing Portraits - 98
Workshops - 97
Reflections in Water - 96
Increasing Contrast - 95
Drawing Trees - 94
Your Mind's Eye - 93
Preventing Smudging - 92
Pressure Scale - 91
Leaving Your Comfort Zone - 90
Angles and Tones - 89
Practice Pieces - 88
Grids & Marionettes - 87
Skin Tones - 86
Tones in Landscapes - 85
Live from Westminster - 84
Using Chalk Dust - 83
No Looking Back - 82
Background Base Colours - 81
Increasing Your Confidence - 80
Juicy Peach, Juicy Nose - 79
Live at Patchings Art Festival - 78
Cows & Meadows - 77
Think of Your 10th Picture - 76
Rainbows and Mount Board - 75
Mounting Miniatures - 74
Hidden Talents - 73
Subduing Colours - 72
Drawing Meadows - 71
Long Fur & Tricky Reds - 70
3 Shades of Fur - 69
Choppy Seas - 68
Victorian Children - 67
Pan, Palette, Paper - 66
Watercolour Wash - 65
the “Bradley Squiggle” - 64
Blending Tools - 63
Inspiration - 62
Painting on Canvas - 61
Turning Professional - 60
FrankenColin - 59
Shiny Fruit - 58
Warmer or Cooler Colours - 57
Light over Dark - 56
Reflection in Glass - 55
Charcoal Pencil - 54
Two-Third Rule - 53
Animal Backgrounds - 52
Artist’s Block - 51
Hollyhocks - 50
Smokey Skies - 49
Shattering Effect - 48
Shiny Black - 47
Tracedown, Colourfix & Mousy Hair - 46
Big Announcments - 45
Putty Rubbers - 44
Pastel Lives and Breathes - 43
Cushion Colours - 42
Blending Methods - 41
HB or 2B? Pencils Explained - 40
Tubes or Pans? - 39
All about Watercolour - 38
Breaking Copyright - 37
Art College vs Self Taught - 36
Free-hand help - 35
Fantasy Land - 34
Birthday Special - 33
"Hello Colin!" - Painting Live on TV - 32
Showing your work to others - a bonus or a ne...
Denise's Letter - 30
Soul to Paper - 29
Under the Spell - 28
Paper Sparkle - 27
Evolution Revolution - 26
Cross City Q & A - 25
A New Discovery - 24
Reference Photos - 23
Dramatic Landscapes - 22
World of Miniatures - 21
The Mystery of Pastel Boards - 20
Live from London & Broadstairs - 19
Best and Worst Dems... - 18
Pen & Ink - 17
How the Starter Packs.. started... - 16
Square Drawings Pt2 - 15
Steve's Story Pt.2 - 14
First Demo at Exhibition - 13
Getting to Know Steve - 12
Revelation at Flatford Mill - 11
Colin's first "Demonstration" - 10
Steve's Face & Live Q&A - 9
Creating the Essence - 8
Creating the Impression - 7
Combining Mediums - 6
Creativity Comes from Within - 5
Boss-Eyed Puddy-Cat - 4
Bone China & Squeaky Pencils - 3
School Teachers don't know it all - 2
Welcome - 1
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My Podcast
Automatically updates when you release new episodes
Episodes
Choose a single episode:
UART vs PastelMat
Drafting Film
Drawing Free-Hand for Beginners
An Artist at Christmas
Benefits of Teaching
Pastel Dust & Skin Tones
Repeating Classes
Drawing a Teddy Bear
Contrast Lessons
Tricky Trees
Art with Emotion
Return to Shadow Work
Colin Bradley School of Art
Self Criticism and Inner Confidence
Transferrable Skills
Best Practices for Reference Photos
Benefits of Shadow Pictures
Watercolour vs Coloured Pencil vs Pastel Pencils
Coloured Pencil Techniques
Over Blending
Coloured Pencil Landscapes
Solvent As You Go
Discovering New Techniques
Simplifying Coloured Pencils
Animal Backgrounds
Using Coloured Pencils
Trying Something New
Layering Colours
Contrasting Backgrounds
Early Morning or Late Night
Pulling Focus
Photographic Bias
Controlling the Contrast
Increasing Your Range Of Pencils
When to Leave a Picture
Pictures in Shadow
Developing a Looser Style
Drawing Doris Day
Drawing Errol Flynn
Recreating "The Scream"
Working with Tracedown
Changing Focus and Attention
The Business of Art Q&A
Art is More Important than Ever
Technical Art Q&A
Art Career Q&A
Sharpening Pastel Pencils
Summer at Butlins
Visiting Castle Combe
Teaching Workshops
Drawing Racing Cars
Sucking Up
Winging It
The Bradley Gallery
Challenging Yourself
Enhancing Watercolour
A Post War Christmas
The Instinctive Artist
Drawing Fabric
Post Pastel Sticks
Finding Your Own Style
Experimental Techniques
Pastel Stick Challenges
Impressionism Training
Breaking Down Watercolour
Overcoming Fears and Doubts
Future Pastel Stick Projects
Too Photographic
Having No Ego
Past Experience
Overcoming Fear of Failure
Renoir's "The Apple Seller"
Becoming an Art Tutor
Tips for Beginners
Girl with a Pearl Earring in Pastel
Turn your pictures upside down
Is using a Grid or Tracing Cheating?
Curtain, Jug and Fruit - Cézanne
Is Impressionism Easy? - 202
Materials & Lighting - 201
Too Much Pastel - 200
A Bar at the Folies-Bergère in Pastel Pencils
Running an Art Workshop - 198
Stress Free - 197
Constructing a Reggianini – The Letter - 196
Secrets Behind Impressionism - 195
Unveiling Demonstrations - 194
When do you call yourself an artist? - 193
Harmony - 192
Working with PastelMat - 191
Artistic Process - 190
Warm and Cool Tones - 189
Filling Paper with Pastel - 188
Interpreting what you see - 187
Polychromos & Soft Pastel - 186
Dark to Light or Light to Dark - 185
PastelMat & Velour Paper - 184
Painting Commercially - 183
Staying Young - 182
Addiction - 181
Pancaking Colour - 180
Mixing Mediums - 179
Updates & New Series - 178
Business of Art - 177
A2 Size Drawing - 176
Checking Your Reference - 175
Being 100% Happy - 174
Graphite, Blending & Watercolour Basics - 173
Portrait Skin Tones - 172
Challenging Yourself - 171
Pricing Your Work - 170
Art Projectors & Tracing - 169
Magic of Impressionism - 168
Paper Tones - 167
Complementary Colours - 166
Craftsy Q&A - 165
All About Backgrounds - 164
What Makes a Good Landscape - 163
A Painting Makes You Feel - 162
Realism to Impressionism - 161
Entering Exhibitions - 160
Visiting Craftsy - 159
Fixing and Framing - 158
Paper and Commissions - 157
Trees and Greenery - 156
Base Colour - 155
Trial and Error - 154
Gaining Confidence - 153
We're Back! #152
Christmas Special #151
Masterclass - 150
Colin and the Frog - 149
Sorry Derwent - 148
Laying Dog - 147
Ready Made Frames - 146
Using Multiple References - 145
Making Prints - 144
Ocean Wildlife - 143
Getting Coverage - 142
What You'll Learn At Art College - 141
Boats at Rest - 140
Making a Picture Your Own - 139
Paintbrushes - 138
Teaching an Art Class - 137
Watercolour Pencils & Pen and Ink - 136
Free Hand Drawing - 135
Create an Illusion - 134
Wildlife Backgrounds - 133
Animal Fur - 132
Portrait Base Colours - 131
Drawing Pets & Relatives - 130
Aquarelle Graphite Pencils - 129
Drawing Cartoons - 128
Using Highlights for Impressionism - 127
Commission Work - 126
Escaping Reality - 125
Mixing Pastel & Watercolour Pencils - 124
Criticism - 123
Watercolour Pencils - 122
Protecting Your Work - 121
Zipping Whiskers - 120
Colours in Reference Photos - 119
Animal Hair vs Human Hair - 118
Live Broadcast 5th March - 117
Colouring Pencils vs Pastel Pencils - 116
Infinite Patience - 115
Vintage Scenes - 114
Soft Pastels vs Pastel Pencils - 113
Simple Backgrounds - 112
Art Therapy - 111
Drawing Male Portraits - 110
Rules of Landscapes - 109
Key to Drawing Eyes - 108
Colour Charcoal Pencils - 107
Tracing with Carbons - 106
Giving a Demonstration - 105
Colour Harmony - 104
Animal Composition - 103
Sepia & Grey Tones - 102
Colour Picking - 101
Impressionistic Strokes - 100
Bright White - 99
Drawing Portraits - 98
Workshops - 97
Reflections in Water - 96
Increasing Contrast - 95
Drawing Trees - 94
Your Mind's Eye - 93
Preventing Smudging - 92
Pressure Scale - 91
Leaving Your Comfort Zone - 90
Angles and Tones - 89
Practice Pieces - 88
Grids & Marionettes - 87
Skin Tones - 86
Tones in Landscapes - 85
Live from Westminster - 84
Using Chalk Dust - 83
No Looking Back - 82
Background Base Colours - 81
Increasing Your Confidence - 80
Juicy Peach, Juicy Nose - 79
Live at Patchings Art Festival - 78
Cows & Meadows - 77
Think of Your 10th Picture - 76
Rainbows and Mount Board - 75
Mounting Miniatures - 74
Hidden Talents - 73
Subduing Colours - 72
Drawing Meadows - 71
Long Fur & Tricky Reds - 70
3 Shades of Fur - 69
Choppy Seas - 68
Victorian Children - 67
Pan, Palette, Paper - 66
Watercolour Wash - 65
the “Bradley Squiggle” - 64
Blending Tools - 63
Inspiration - 62
Painting on Canvas - 61
Turning Professional - 60
FrankenColin - 59
Shiny Fruit - 58
Warmer or Cooler Colours - 57
Light over Dark - 56
Reflection in Glass - 55
Charcoal Pencil - 54
Two-Third Rule - 53
Animal Backgrounds - 52
Artist’s Block - 51
Hollyhocks - 50
Smokey Skies - 49
Shattering Effect - 48
Shiny Black - 47
Tracedown, Colourfix & Mousy Hair - 46
Big Announcments - 45
Putty Rubbers - 44
Pastel Lives and Breathes - 43
Cushion Colours - 42
Blending Methods - 41
HB or 2B? Pencils Explained - 40
Tubes or Pans? - 39
All about Watercolour - 38
Breaking Copyright - 37
Art College vs Self Taught - 36
Free-hand help - 35
Fantasy Land - 34
Birthday Special - 33
"Hello Colin!" - Painting Live on TV - 32
Showing your work to others - a bonus or a ne...
Denise's Letter - 30
Soul to Paper - 29
Under the Spell - 28
Paper Sparkle - 27
Evolution Revolution - 26
Cross City Q & A - 25
A New Discovery - 24
Reference Photos - 23
Dramatic Landscapes - 22
World of Miniatures - 21
The Mystery of Pastel Boards - 20
Live from London & Broadstairs - 19
Best and Worst Dems... - 18
Pen & Ink - 17
How the Starter Packs.. started... - 16
Square Drawings Pt2 - 15
Steve's Story Pt.2 - 14
First Demo at Exhibition - 13
Getting to Know Steve - 12
Revelation at Flatford Mill - 11
Colin's first "Demonstration" - 10
Steve's Face & Live Q&A - 9
Creating the Essence - 8
Creating the Impression - 7
Combining Mediums - 6
Creativity Comes from Within - 5
Boss-Eyed Puddy-Cat - 4
Bone China & Squeaky Pencils - 3
School Teachers don't know it all - 2
Welcome - 1
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